![]() I NEVER stated I was convinced, I very carefully stated that I didn’t believe in the theory, but that I found it more convincing than others. Shitpost Free Shitpost Free for Mobile Give me MemesĢ023 April 16th - morgandoesntcare, jaredmuros, lvnarboymusic and tomsymusic - for the 2023 Frank Ocean Coachella ExperienceĢ021 May 4th - u/isen6 - absurdly predicted the Homer brand 94 days before launchĢ020 February 27th - /u/budsNhops - actually made 's terrible customer service care about customer voiceĢ018 April 9th - /u/jxnnt - Sacrificed her career for the greater good.Ģ016 August 20th - unknown - Had a lovely night with DadĢ016 August - /u/TheChosenSon - Ate a sock for the sub On mobile? Check bottom for filtered views: Excessive shitposting will result in a ban. ![]() Requesting or providing any personal information such as phone numbers or addresses will result in a banįan content is encouraged, positive feedback is also encouraged This is a Frank Ocean sub, so posts should be directly related to Frank OceanĪny hateful messages toward others or Frank will result in a ban It may or may not sync perfectly with the OJ Simpson chase.Blonde out now Welcome to /r/FrankOcean +++ Official /r/FrankOcean Chatroom is open now! +++ Rules If you want to keep the party going, peep my updated R&B throwback playlist. 1994 is a Bad Boy classic removed from the glory days (sorry Cassie). Teyana Taylor purrs at you from across the dancefloor and through the years to remind you of a time when SNL was funny and all the best rappers weren’t dead. Absent are modern adaptations like hi-hat rolls, and the Migos flow, two of which you can hear on Taylor’s last album. The melodies lend themselves to clubs and house parties more than arenas, which affords a quaintness missing from modern R&B’s palaces of self-pity. She triangulates Toni Braxton, Mariah Carey, and Faith Evans on “Your Wish Is My Command,” which drives the point home with purloined Puffy ad-libs and also on “Who’s Gonna Make It Home,” which reveals Iman Shumpert as a more than serviceable rapper. Teyana Taylor’s The Cassette Tape 1994 is undisguised nostalgia served in a digestible five songs. Puff got his shot that day when new jack swing godfather Teddy Riley didn’t show up for a studio session at Chung King, which proves that 90s R&B is part of the cosmic plan. In fact, Puff Daddy said in an oral history of Bad Boy that the first record he produced was directly influenced by the old blend tapes he put Jodeci acapellas over EPMD drums and made the “Come and Talk to Me” remix. Blige, SWV, and Jodeci has its roots in the formative R&B blends of DJ Hot Day, Kid Capri, Brucie B, and Ron G, who, beginning in the late 80s, spliced R&B records with hip-hop beats on their mixtapes. Back in Giuliani’s New York, a DJ at The Tunnel could mix Total and The LOX for an audience of drug dealers without issue, though a Biggie verse likely helped Total’s case. The real stuff is warm and sultry party music that borrows New York hip-hop’s halcyon swagger and grit. ![]() Tinashe’s shades of Aaliyah aren’t enough. ![]() It’s not revisited as often as other 90s pastimes like hip-hop, Nickelodeon, and the Oslo Accords. Evan Nabavian is plotting Ma$e’s comeback’s comebackĩ0s R&B doesn’t get its due. ![]()
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